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Shakespearian comedy.

Material type: TextSeries: Stratford-upon-Avon studies ; 14Publication details: New York, Crane, Russak [1972]Description: 247 p. 23 cmISBN:
  • 0844800678
Subject(s): DDC classification:
  • 822.33 CHS 1961
LOC classification:
  • PR2981 .S5
Contents:
Brown, J. R. The presentation of comedy: the first ten plays.--Ewbank, I. "Were man but constant, he were perfect": constancy and consistency in The Two gentlemen of Verona.--Wells, S. Shakespeare without sources.--Hunt, J. D. Grace, art, and the neglect of time in Love's labour's lost.--Palmer, D. J. The Merchant of Venice; or, The Importance of being earnest.--Foakes, R. A. The owl and the cuckoo: voices of maturity in Shakespeare's comedies.--Evans, G. L. Shakespeare's fools: the shadow and the substance of drama.--Barton, A. As you like it and Twelfth night: Shakespeare's sense of an ending.--Powell, J. Theatrical trompe l'oeil in Measure for measure.--Nuttall, A. D. Two unassimilable men.--Bibliography (p. 241-243)
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Books Bangladesh Public Administration Training Centre Library General Stacks 822.33 CHS 1961 Available Maisha 26370

Brown, J. R. The presentation of comedy: the first ten plays.--Ewbank, I. "Were man but constant, he were perfect": constancy and consistency in The Two gentlemen of Verona.--Wells, S. Shakespeare without sources.--Hunt, J. D. Grace, art, and the neglect of time in Love's labour's lost.--Palmer, D. J. The Merchant of Venice; or, The Importance of being earnest.--Foakes, R. A. The owl and the cuckoo: voices of maturity in Shakespeare's comedies.--Evans, G. L. Shakespeare's fools: the shadow and the substance of drama.--Barton, A. As you like it and Twelfth night: Shakespeare's sense of an ending.--Powell, J. Theatrical trompe l'oeil in Measure for measure.--Nuttall, A. D. Two unassimilable men.--Bibliography (p. 241-243)

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